With Hanna Studio Babelsberg has landed yet another coup, buttressing its increasing significance in the international film world. Hanna, to be directed by Joe Wright of Atonement-fame, will primarily be shot at Studio Babelsberg next to other locations that include Bavaria, Berlin, Finland, and Morocco. Hanna stars Saoirse Ronan, Cate Blanchett, and Eric Bana.
Since the team of Charlie Woebcken and Christoph Fisser took over the studio in 2004, Babelsberg has been on a constant upswing. Not only have they managed to land one international film production after another, Woebcken and Fisser have also turned the studio, which until 2004 went through many ups and downs - though mostly downs - ever since the fall of the Wall, into a highly profitable operation.
Showing posts with label Studio Babelsberg. Show all posts
Showing posts with label Studio Babelsberg. Show all posts
Friday, 2 April 2010
Tuesday, 23 March 2010
Celluloid Dreams, Studio Babelsberg and Clou Partners Join Forces to Create Production Powerhouse The Manipulators
Taking their cue from their rivals across the Atlantic, three of the top European film production /financing companies, Paris based production and sales outfit Celluloid Dreams, Berlin/Potsdam based Studio Babelsberg and Munich based Clou Partners have joined forces. Each company brings their own expertise and know-how into their venture - named The Manipulators - and between them, they cover all areas of film-making except exhibition.
The Manipulators' first project is the highly anticipated first live action feature by Oscar nominated directors of Persepolis, Marjane Satrapi and Vincent Paronnaud. Azrael is slated to start shooting this year at Studio Babelsberg.
The Manipulators' first project is the highly anticipated first live action feature by Oscar nominated directors of Persepolis, Marjane Satrapi and Vincent Paronnaud. Azrael is slated to start shooting this year at Studio Babelsberg.
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Studio Babelsberg
Monday, 2 November 2009
The Lure Of The $

For years, US producers shied away from filming in the French capital unless for films with an excessively high budget as Paris as a film location suffered from the reputation of being outrageously expensive.
This, however, is now beginning to change as France is beginning to copy the film and subsidies policy of its neighbour to the east: Germany, waking up to the lure of the Big Bucks.
Through a clever subsidies policy that grants attractive tax breaks and money injections to films shot on location in Germany, for years, the German government has succesfully lured an increasing number of US film productions to its turf, notably Berlin and the Studio Babelsberg, loacted in nearby Potsdam. The truth of the matter is, that although US films - usually US-German coproductions such as The Reader (Germany/ USA 2008), Inglorious Basterds (Germany/ USA 2009) or Valkyrie (Germany/ USA 2008), etc. - do indeed receive generous subsidies coming from the German Government Film Fund, the film companies end up spending vast amounts of money in return - for local staff, hotels, catering, etc. Thus, by dint of the Film Fund, the German government not only gives the economy a boost, but, more importantly, the German film industry as a whole. Thus, the film industry has turned into one of Berlin's most important industries, employing around 13.000 people in over 2.000 companies.
France is now beginning to realise what it missed out on, and came up with its own, similar, government backed subsidy policy. Previously, only French films were eligible to state subsidies. From now on, however, echoeing its eastern neighbour, and with its eye on the dollar, of course, France grants attractve tax breaks to every foreign film which is shot - or partly shot - on location in Paris or the Ile de France.
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